"자리를 바꿔줄까?" 하고 내가 묻는다.
"고마워요. 친절하시네요." 하고 그녀가 말한다.
친절한 게 아니란다, 하고 나는 쓴웃음을 짓는다. 너보다는 훨씬 더 따분함에 익숙해져 있는 것뿐이란다.
전신주 숫자를 세기에도 지쳤다.
서른두 살의
데이 트리퍼.
No. 00057
무라카미 하루키,「서른두 살의 데이 트리퍼」,『4월의 어느 맑은 아침에 100퍼센트의 여자를 만나는 것에 대하여』, 문학사상, 2009.
2025/08/16
1.
ॐ
2.
´ㅅ`
No. 00057
무라카미 하루키,「서른두 살의 데이 트리퍼」,『4월의 어느 맑은 아침에 100퍼센트의 여자를 만나는 것에 대하여』, 문학사상, 2009.
2025/08/16
No. 00056
Kurt Vonnegut,『Breakfast of Champions』
2025/07/30
No. 00055
무라카미 하루키,『색채가 없는 다자키 쓰쿠루와 그가 순례를 떠난 해』, 민음사, 2013.
2025/07/28
No. 00054
윤대녕,「은어」,『은어 낚시 통신』, 문학동네, 2010.,
2025/07/26
No. 00053
미시마 유키오, 『금각사』
2025/07/23
No. 00052
윌리엄 S. 버로스, 『네이키드 런치』, 책세상
2025/07/18
No. 00051
윌리엄 S. 버로스, 『네이키드 런치』, 책세상
2025/07/17
No. 000051
...
2025/07/12
No. 00050
윌리엄 포크너, 『내가 죽어 누워있을 때』, 99p, 민음사
2025/06/04
No. 00049
줄리아 카메론, 『아티스트 웨이』, 경당
2025/05/27
No. 00048
줄리아 카메론, 『아티스트 웨이』, 경당
2025/05/27
No. 00047
줄리아 카메론, 『아티스트 웨이』, 경당
2025/05/25
2025/05/19
No. 00046
김애란, 『바깥은 여름』, 173p, 문학동네
2025/05/16
No. 00045
황병승, 『육체쇼와 전집』, <티셔츠 속의 젖을 쓰다듬다가>, 문학과지성사
2025/05/05
No. 00044
존 가드너, 『장편소설가 되기』, 59p, 걷는책
2025/05/04
No. 00043
줄리아 카메론, 『아티스트 웨이』, 경당
2025/04/29
No. 00042
프리드리히 니체, 박찬국 옮김, 『선악의 저편』, 아카넷
2025/04/29
No. 00041
헤르만 헤세, 『데미안』, 195p, 더클래식
2025/04/17
No. 00040
줄리아 카메론, 『아티스트 웨이』, 경당
2025/04/15
No. 00039
줄리아 카메론, 『아티스트 웨이』, 경당
2025/04/10
No. 00038
카멘토츠, 『꼬마곰의 케이크 가게 5권』, SLCOMIC
2025/04/08
No. 00037
줄리아 카메론, 『아티스트 웨이』, 경당
2025/04/02
No. 00036
줄리아 카메론, 『아티스트 웨이』, 경당
2025/04/01
No. 00036
줄리아 카메론, 『아티스트 웨이』, 경당
2025/03/31
No. 00035
줄리아 카메론, 『아티스트 웨이』, 경당
2025/03/30
No. 00034
헤르만 헤세, 『싯다르타』, 185p, 민음사
2025/03/29
No. 00033
전경린, 『검은 설탕이 녹는 동안』, 60p, 문학동네
2025/03/24
No. 00032
전경린, 『검은 설탕이 녹는 동안』, 173p, 문학동네
2025/03/23
No. 00031
어빈 웰시, 『트레인스포팅』, 107p, 자음과 모음
2025/03/11
No. 00030
어빈 웰시, 『트레인스포팅』, 222p, 자음과 모음
2025/03/08
No. 00029
볼프강 보르헤르트, 『이별 없는 세대』, 문학과지성사
2025/03/01
No. 00028
https://fictionmachine.com/2019/09/10/review-bullet-ballet-1998/
2025/02/27
No. 00027
줄리아 카메론, 『아티스트 웨이』, 경당
2025/02/21
No. 00026
...
2025/02/19
No. 00025
줄리아 카메론, 『아티스트 웨이』, 경당
2025/02/17
No. 00024
이상, 『이상 선집』, 미르북컴퍼니
2025/02/08
From Wikipedia, the free encyclopedia
A false ending is a device in film and music that can be used to trick the audience into thinking that the work has ended, before it continues.
The presence of a false ending can be anticipated through a number of ways. The medium itself might betray that the story will continue beyond the false ending. A supposed "ending" that occurs when many pages are still left in a book, when a film or song's running time has not fully elapsed, or when only half the world has been explored in a video game, is likely to be false. As such, stories with an indeterminate running length or a multi-story structure are much more likely to successfully deceive their audience with this technique. Another indicator is the presence of a large number of incomplete story lines, character arcs, or other unresolved story elements at the time of the false ending. These elements can leave the audience feeling that too much of the story is incomplete and there has to be more.
In L.A. Confidential, it seems like the criminal case that the movie revolves around is completely closed with no loose ends until one of the witnesses admits that she lied about important details to give more importance towards the trial of the people who raped her, exposing a cover-up conspiracy. In The Lord of the Rings: The Return of the King, director Peter Jackson uses editing techniques that are indicative of endings in scenes that could be used as such, but continues until the movie finally ends. Spider-Man 3 has two false endings. Another example is in The Simpsons Movie, where, at a very climactic stage in the film, the screen fades away and says "To be continued", which is then followed by the word "Immediately." Also in The Lego Movie 2: The Second Part, at what appears to be a cliffhanger ending, a "The End" sign appears, only for Lucy (voiced by Elizabeth Banks) to break the fourth wall by insisting that the film will have a happy ending; the same sign appears again at the film's actual ending. After Evelyn (played by Michelle Yeoh) seemingly dies in the middle of Everything Everywhere All at Once, the words "The End" appear before a short portion of fake credits; this is followed by the reveal that the film was being watched by an audience in a universe where Evelyn becomes a movie star.
Some movies come to a formal ending, followed by the rolling of the credits, which is almost universally used to indicate that the film has ended, only to have the actors reappear in one or more mid-credits scenes. In comedy films, these sequences may be bloopers or outtakes. In other types of films, the mid-credit scenes may continue the narrative set out in the movie. The Marvel Cinematic Universe movies have become notorious for this, in some cases featuring a mid-credits scene and an end-credits scene in the same movie.
False endings are a known device in classical music. Josef Haydn was fond of them, for example inducing applause at the wrong place in the finales of his String Quartet, Op. 33 No. 2 (nicknamed "The Joke") and Symphony No. 90. The first movement of Prokoviev's Classical Symphony contains false endings.
False endings are also a common custom in popular music. The Beatles used false endings in many of their songs, including "I'm Only Sleeping", "Get Back", "Hello, Goodbye", "Cry Baby Cry", "Helter Skelter", "Rain", and "Strawberry Fields Forever". Other songs that use false endings include Guns 'n' Roses' "November Rain", Bryan Adams' "(Everything I Do) I Do It For You" (full version), David Bowie's "Suffragette City", Gorillaz' "Dare", Natasha Bedingfield's "Unwritten", Foo Fighters' "Come Back", Alice in Chains' "Rain When I Die", and Beastie Boys' "Sabotage".
No. 00023
False ending, https://en.wikipedia.org/wiki/False_ending
2025/02/06
No. 00022
노자, 『도덕경』
202X/XX/XX
No. 00021
마광수, 『인간』, 91p
202X/XX/XX
No. 00020
마광수, 『인간』, 20p
202X/XX/XX
No. 00019
이상, 『12월 12일』
2025/01/30
No. 00018
서머싯 몸, 『달과 6펜스』, 318p
2025/01/29
No. 00017
리처드 브라우티건, 『미국의 송어낚시』, 180p
2025/01/24
No. 00016
이태준, 『문장강화』
2025/01/19
No. 00015
리처드 브라우티건, 『미국의 송어낚시』, 63p
2025/01/18
No. 00014
나가오카 겐메이, 『디자이너 마음으로 걷다』, 148p
2025/01/17
No. 00013
나가오카 겐메이, 『디자이너 마음으로 걷다』, 188p
2025/01/17
No. 00012
나가오카 겐메이, 『디자이너 마음으로 걷다』, 140p
2025/01/17
No. 00011
박태준, 『문장강화』, 256p
2025/01/10
No. 00010
이태준, 『문장강화』, 249p
2025/01/10
No. 00009
?
2023/04/20
No. 00008
베르나르 베르베르, 『베르나르 베르베르의 상상력 사전』
2024/12/18
No. 00007
베르나르 베르베르, 『베르나르 베르베르의 상상력 사전』
2024/12/14
No. 00006
베르나르 베르베르, 『베르나르 베르베르의 상상력 사전』
2024/12/14
No. 00005
미시마 유키오, 『금각사』
2024/12/11
No. 00004
미시마 유키오, 『금각사』
2024/12/11
No. 00003
은어낚시통신/해설/존재의 시원으로의 회귀
2024/12/05
No. 00002
Chatgpt
2024/12/03
No. 00001
??????
2024/12/02